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Art Appraiser
Andres Gomez

Andrés Gómez

MSc, BSc Antiques Expert and Art Appraiser with over 10 year of experience. Andrés has worked as an online independent appraiser expert, serving over 100k customers along his carrer.

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Preliminary Analysis: The artwork depicts a figure in a stylized, abstract manner, reminiscent of Cubist influences, characterized by fragmented shapes and bold outlines. The subject appears to be a portrait of a person adorned in elaborate, possibly medieval-inspired attire, featuring a headdress and layered garments. The artistic style leans towards modernism, utilizing techniques such as bold line work and geometric abstraction. The medium appears to be a print, possibly a lithograph, with a textured finish enhancing the visual depth. The color palette is striking, dominated by deep blues, reds, and black, contrasted by lighter skin tones and gold accents, creating a dynamic visual impact. The composition is centrally focused, guiding the viewer’s attention to the intricate details of the attire and facial features. Notably, the piece lacks visible signatures or inscriptions, which might otherwise offer clues to its provenance. Encased in a richly ornate, golden frame with intricate floral motifs, the artwork suggests an intention to blend historical elegance with modern artistic expression. The condition appears well-preserved, with no visible signs of aging or wear, suggesting careful maintenance. The piece potentially belongs to a mid-20th-century modern art movement, reflecting cultural shifts towards abstraction and reinterpretation of traditional themes.
Preliminary Analysis: The artwork depicts a figure in a stylized, abstract manner, reminiscent of Cubist influences, characterized by fragmented shapes and bold outlines. The subject appears to be a portrait of a person adorned in elaborate, possibly medieval-inspired attire, featuring a headdress and layered garments. The artistic style leans towards modernism, utilizing techniques such as bold line work and geometric abstraction. The medium appears to be a print, possibly a lithograph, with a textured finish enhancing the visual depth. The color palette is striking, dominated by deep blues, reds, and black, contrasted by lighter skin tones and gold accents, creating a dynamic visual impact. The composition is centrally focused, guiding the viewer’s attention to the intricate details of the attire and facial features. Notably, the piece lacks visible signatures or inscriptions, which might otherwise offer clues to its provenance. Encased in a richly ornate, golden frame with intricate floral motifs, the artwork suggests an intention to blend historical elegance with modern artistic expression. The condition appears well-preserved, with no visible signs of aging or wear, suggesting careful maintenance. The piece potentially belongs to a mid-20th-century modern art movement, reflecting cultural shifts towards abstraction and reinterpretation of traditional themes.
Preliminary Analysis: The artwork is a monochrome print depicting a group of figures, rendered in a style characteristic of modernist abstraction. The figures appear to be intertwined in a dynamic, almost chaotic composition that captures movement and interaction. The artist employs a technique that emphasizes line work and shading, creating depth and texture within the piece. The medium appears to be a print on paper, with a smooth finish that accentuates the crispness of the lines. The color palette is limited to grayscale, which lends a timeless and classical feel to the composition. The arrangement of figures is balanced yet complex, drawing the viewer’s eye across the scene. Notable features include the intricate detailing of the figures and the fluidity of their forms, which suggest a narrative or symbolic meaning. The piece bears a signature in the lower right, indicative of its authenticity. The ornate gold frame enhances the artwork’s presentation, providing a rich contrast to the starkness of the print. The condition appears excellent, with no visible signs of aging or damage. The style and the signature suggest a connection to the early to mid-20th century, aligning with movements in European modern art.
Preliminary Analysis: The artwork is a monochrome print depicting a group of figures, rendered in a style characteristic of modernist abstraction. The figures appear to be intertwined in a dynamic, almost chaotic composition that captures movement and interaction. The artist employs a technique that emphasizes line work and shading, creating depth and texture within the piece. The medium appears to be a print on paper, with a smooth finish that accentuates the crispness of the lines. The color palette is limited to grayscale, which lends a timeless and classical feel to the composition. The arrangement of figures is balanced yet complex, drawing the viewer’s eye across the scene. Notable features include the intricate detailing of the figures and the fluidity of their forms, which suggest a narrative or symbolic meaning. The piece bears a signature in the lower right, indicative of its authenticity. The ornate gold frame enhances the artwork’s presentation, providing a rich contrast to the starkness of the print. The condition appears excellent, with no visible signs of aging or damage. The style and the signature suggest a connection to the early to mid-20th century, aligning with movements in European modern art.
“Sevitt Francis’ ‘Ladies With Flowers’ is a limited edition serigraph on deckle edge paper, numbered and personally signed by the artist. This vibrant, dynamic work showcases a group of elegantly attired women amid a romanticized garden setting, suggesting an atmosphere of leisure and celebration. The expressive, impressionistic style is characterized by loose, painterly brushwork, emphasizing the interplay of light and color over meticulous detail. Francis uses bold, sweeping strokes combined with intricate detailing to define the figures and elements, creating an energetic, atmospheric composition. The rich palette, boasting blues, reds, yellows, and greens, contributes to the celebratory mood and the luxurious visual experience. This artwork exudes an air of elegance, romance, and charm, hinting at themes of courtship, festivities, and the timeless beauty of companionship.”
“Sevitt Francis’ ‘Ladies With Flowers’ is a limited edition serigraph on deckle edge paper, numbered and personally signed by the artist. This vibrant, dynamic work showcases a group of elegantly attired women amid a romanticized garden setting, suggesting an atmosphere of leisure and celebration. The expressive, impressionistic style is characterized by loose, painterly brushwork, emphasizing the interplay of light and color over meticulous detail. Francis uses bold, sweeping strokes combined with intricate detailing to define the figures and elements, creating an energetic, atmospheric composition. The rich palette, boasting blues, reds, yellows, and greens, contributes to the celebratory mood and the luxurious visual experience. This artwork exudes an air of elegance, romance, and charm, hinting at themes of courtship, festivities, and the timeless beauty of companionship.”
Preliminary Analysis: The artwork depicted is a striking portrait featuring a figure in elaborate attire, notable for its abstract and geometric elements. The style is reminiscent of Cubism, characterized by fragmented shapes and a bold, graphic quality. The artist employs a mix of mediums, likely including printmaking techniques, which provide a textured and layered appearance. The color palette is vibrant yet balanced, with rich reds, deep blues, and stark blacks, contrasted by lighter, neutral tones. These colors are strategically used to highlight the figure’s clothing and jewelry, adding depth and dimension. Compositional elements focus on the central figure, with intricate detailing in the facial features and attire, suggesting a regal or aristocratic theme. The ornate frame further emphasizes the artwork’s grandeur. Notable features include the use of patterned lines and shapes that create a sense of movement and complexity. There is no visible signature or inscription, though the piece’s presentation suggests it might be part of a limited edition or series. The condition appears excellent, with no visible signs of aging or wear. The historical context hints at mid-20th-century influences, possibly linking to the Modernist movement, reflecting a convergence of traditional portraiture with avant-garde expression.
Preliminary Analysis: The artwork depicted is a striking portrait featuring a figure in elaborate attire, notable for its abstract and geometric elements. The style is reminiscent of Cubism, characterized by fragmented shapes and a bold, graphic quality. The artist employs a mix of mediums, likely including printmaking techniques, which provide a textured and layered appearance. The color palette is vibrant yet balanced, with rich reds, deep blues, and stark blacks, contrasted by lighter, neutral tones. These colors are strategically used to highlight the figure’s clothing and jewelry, adding depth and dimension. Compositional elements focus on the central figure, with intricate detailing in the facial features and attire, suggesting a regal or aristocratic theme. The ornate frame further emphasizes the artwork’s grandeur. Notable features include the use of patterned lines and shapes that create a sense of movement and complexity. There is no visible signature or inscription, though the piece’s presentation suggests it might be part of a limited edition or series. The condition appears excellent, with no visible signs of aging or wear. The historical context hints at mid-20th-century influences, possibly linking to the Modernist movement, reflecting a convergence of traditional portraiture with avant-garde expression.
Preliminary Analysis: The artwork depicts a stylized portrait of a figure with an intricate and abstracted facial design, reminiscent of Picasso’s cubist influences. The subject wears an elaborate costume, adorned with multiple strings of beads and a richly colored garment, blending elements of traditional and modern aesthetics. The artistic style is characterized by bold, angular shapes and vivid, contrasting colors, typical of mid-20th-century modernism. The medium appears to be a print, possibly a lithograph, with a textured finish that enhances the depth and complexity of the composition. The color palette is dominated by deep blues, reds, and blacks, creating a striking interplay of shadows and highlights that guide the viewer’s eye across the piece. Notable features include the fragmented facial features and the use of geometric motifs, which convey a sense of dynamism and movement. There are no visible signatures or inscriptions within the image area, suggesting the possibility of artist anonymity or a limited edition print. The artwork is framed in an ornate, gold-toned frame that complements its historical and cultural references, evoking a sense of timeless elegance. The overall condition appears excellent, with no visible signs of aging or restoration, suggesting careful preservation.
Preliminary Analysis: The artwork depicts a stylized portrait of a figure with an intricate and abstracted facial design, reminiscent of Picasso’s cubist influences. The subject wears an elaborate costume, adorned with multiple strings of beads and a richly colored garment, blending elements of traditional and modern aesthetics. The artistic style is characterized by bold, angular shapes and vivid, contrasting colors, typical of mid-20th-century modernism. The medium appears to be a print, possibly a lithograph, with a textured finish that enhances the depth and complexity of the composition. The color palette is dominated by deep blues, reds, and blacks, creating a striking interplay of shadows and highlights that guide the viewer’s eye across the piece. Notable features include the fragmented facial features and the use of geometric motifs, which convey a sense of dynamism and movement. There are no visible signatures or inscriptions within the image area, suggesting the possibility of artist anonymity or a limited edition print. The artwork is framed in an ornate, gold-toned frame that complements its historical and cultural references, evoking a sense of timeless elegance. The overall condition appears excellent, with no visible signs of aging or restoration, suggesting careful preservation.
Preliminary Analysis: This artwork features a striking portrait with a cubist influence, characterized by geometric forms and fragmented perspectives. The subject is a figure adorned in elaborate, historical attire, with intricate jewelry and patterned clothing, suggesting a regal or aristocratic theme. The artist employs bold, contrasting colors, primarily deep blues, reds, and golds, set against a dark background, enhancing the dramatic effect. The use of texture is evident in the layered paint application, providing depth and a tactile quality. The composition is balanced, with the figure centrally positioned, drawing the viewer’s focus. Notably, the piece includes unique motifs such as abstract facial features and ornate garments, which add complexity and intrigue. A signature or marking is visible in the lower area of the artwork, though details are difficult to discern from the image. The ornate, gilded frame complements the artwork’s opulence, potentially indicative of a mid-20th century origin. The condition appears well-preserved, with no obvious signs of aging or restoration, suggesting careful maintenance. The piece may belong to a modernist movement, reflecting both historical and avant-garde elements.
Preliminary Analysis: This artwork features a striking portrait with a cubist influence, characterized by geometric forms and fragmented perspectives. The subject is a figure adorned in elaborate, historical attire, with intricate jewelry and patterned clothing, suggesting a regal or aristocratic theme. The artist employs bold, contrasting colors, primarily deep blues, reds, and golds, set against a dark background, enhancing the dramatic effect. The use of texture is evident in the layered paint application, providing depth and a tactile quality. The composition is balanced, with the figure centrally positioned, drawing the viewer’s focus. Notably, the piece includes unique motifs such as abstract facial features and ornate garments, which add complexity and intrigue. A signature or marking is visible in the lower area of the artwork, though details are difficult to discern from the image. The ornate, gilded frame complements the artwork’s opulence, potentially indicative of a mid-20th century origin. The condition appears well-preserved, with no obvious signs of aging or restoration, suggesting careful maintenance. The piece may belong to a modernist movement, reflecting both historical and avant-garde elements.
Pablo Picasso’s “Buste de femme d’après Cranach le Jeune” is a vibrant hand-signed linocut, limited to an edition of 50 pieces. This composition exhibits Picasso’s modern abstraction of Lucas Cranach the Younger’s Renaissance portraiture. The regal subject, a woman’s bust embellished with intricate jewelry and a voluminous headdress, is reimagined through Picasso’s bold, cubist-inspired technique. Angular planes divide her face with expressive lines and blocks of deep blues and reds, contrasting with a muted cream and black background. Framed by the interplay of curved and linear elements, her gaze is both enigmatic and assertive. The patterns on her clothing echo Renaissance tradition, yet Picasso’s reductionist forms transform these into modern symbols. This impactful work bridges eras, blending historical reverence with Picasso’s avant-garde innovation in a rich, harmonious palette.
Pablo Picasso’s “Buste de femme d’après Cranach le Jeune” is a vibrant hand-signed linocut, limited to an edition of 50 pieces. This composition exhibits Picasso’s modern abstraction of Lucas Cranach the Younger’s Renaissance portraiture. The regal subject, a woman’s bust embellished with intricate jewelry and a voluminous headdress, is reimagined through Picasso’s bold, cubist-inspired technique. Angular planes divide her face with expressive lines and blocks of deep blues and reds, contrasting with a muted cream and black background. Framed by the interplay of curved and linear elements, her gaze is both enigmatic and assertive. The patterns on her clothing echo Renaissance tradition, yet Picasso’s reductionist forms transform these into modern symbols. This impactful work bridges eras, blending historical reverence with Picasso’s avant-garde innovation in a rich, harmonious palette.
“Foliar” is an original oil on canvas painting by Julie Kiefer Bell, created circa 1996. This striking artwork presents a close-up view of vivid leaves, showcasing the intricate veins, textures, and the interplay of light and shadow with a hyperrealistic approach. Bell skillfully uses a dynamic palette of rich greens, yellows, and deep reds to emphasize the organic forms of the foliage, the meticulous detailing and layered brushwork creating a sense of depth that makes the leaves appear almost three-dimensional. The emphasis on natural elements and the immersive perspective invite viewers to appreciate the complexity and elegance of botanical life. Resonating with themes of nature, growth, and harmony, “Foliar” is a visually captivating and emotionally enriching piece.
“Foliar” is an original oil on canvas painting by Julie Kiefer Bell, created circa 1996. This striking artwork presents a close-up view of vivid leaves, showcasing the intricate veins, textures, and the interplay of light and shadow with a hyperrealistic approach. Bell skillfully uses a dynamic palette of rich greens, yellows, and deep reds to emphasize the organic forms of the foliage, the meticulous detailing and layered brushwork creating a sense of depth that makes the leaves appear almost three-dimensional. The emphasis on natural elements and the immersive perspective invite viewers to appreciate the complexity and elegance of botanical life. Resonating with themes of nature, growth, and harmony, “Foliar” is a visually captivating and emotionally enriching piece.
“Preservation Pass,” an oil painting by Julie Kiefer Bell, was completed in 1996 on handmade paper. This tranquil scene of a forest path surrounded by lush greenery is brought to life through her use of rich textures and layering techniques, creating a serene and meditative atmosphere. Light filters through the dense foliage, enhancing the depth and realism of the natural setting, while the use of handmade paper brings an additional organic, tactile quality to the piece. The artwork exudes a sense of stillness and harmony with nature, encouraging viewers to immerse themselves in its quiet beauty. This piece is accompanied by a certificate of authenticity from Broden Gallery Ltd.
“Preservation Pass,” an oil painting by Julie Kiefer Bell, was completed in 1996 on handmade paper. This tranquil scene of a forest path surrounded by lush greenery is brought to life through her use of rich textures and layering techniques, creating a serene and meditative atmosphere. Light filters through the dense foliage, enhancing the depth and realism of the natural setting, while the use of handmade paper brings an additional organic, tactile quality to the piece. The artwork exudes a sense of stillness and harmony with nature, encouraging viewers to immerse themselves in its quiet beauty. This piece is accompanied by a certificate of authenticity from Broden Gallery Ltd.

Download Appraisal in PDF This appraisal report has been prepared for IRS tax deduction purposes, providing a thorough… Read More »“Preservation Pass,” an oil painting by Julie Kiefer Bell, was completed in 1996 on handmade paper. This tranquil scene of a forest path surrounded by lush greenery is brought to life through her use of rich textures and layering techniques, creating a serene and meditative atmosphere. Light filters through the dense foliage, enhancing the depth and realism of the natural setting, while the use of handmade paper brings an additional organic, tactile quality to the piece. The artwork exudes a sense of stillness and harmony with nature, encouraging viewers to immerse themselves in its quiet beauty. This piece is accompanied by a certificate of authenticity from Broden Gallery Ltd.

Preliminary Analysis: The artwork depicts a portrait of a young individual with long, wavy hair, gazing directly at the viewer. The style suggests a classical approach, reminiscent of Baroque portraiture, characterized by its detailed realism and subtle play of light and shadow. The medium appears to be oil on canvas, lending a rich texture to the piece. The color palette is predominantly dark, with deep blues and browns creating a somber yet intimate mood, while the subject’s face is softly illuminated, drawing focus to the expression. The composition is balanced, with the figure centrally placed against a subdued background, enhancing the sense of depth. The painting shows signs of aging, with visible craquelure and some surface wear, yet it maintains its integrity. No visible signatures or inscriptions are apparent, but the style and condition suggest a possible creation period in the late 17th to early 18th century, aligning with European artistic traditions of that era. The cultural context might indicate a reflection of societal status or individual character, common in portrait art of the time.
Preliminary Analysis: The artwork depicts a portrait of a young individual with long, wavy hair, gazing directly at the viewer. The style suggests a classical approach, reminiscent of Baroque portraiture, characterized by its detailed realism and subtle play of light and shadow. The medium appears to be oil on canvas, lending a rich texture to the piece. The color palette is predominantly dark, with deep blues and browns creating a somber yet intimate mood, while the subject’s face is softly illuminated, drawing focus to the expression. The composition is balanced, with the figure centrally placed against a subdued background, enhancing the sense of depth. The painting shows signs of aging, with visible craquelure and some surface wear, yet it maintains its integrity. No visible signatures or inscriptions are apparent, but the style and condition suggest a possible creation period in the late 17th to early 18th century, aligning with European artistic traditions of that era. The cultural context might indicate a reflection of societal status or individual character, common in portrait art of the time.
Preliminary Analysis: The artwork exemplifies a modern, minimalist style with a focus on simplified forms and bold shapes. The artistic technique highlights a flat application of color with minimal shading, emphasizing the figure’s contours and posture. **Medium and Materials:** The piece appears to be a painting, likely using acrylic or oil on canvas, given the smooth texture and vibrant hues. **Color Palette and Composition:** The color palette is soft and subdued, featuring pastel tones of lavender, beige, and muted green. The composition centers around a stylized human figure, creating a sense of calm and elegance. **Notable Features or Characteristics:** Noteworthy is the elongated form of the figure, which adds an element of grace and movement. The use of negative space enhances the figure’s prominence and the overall aesthetic simplicity. **Signatures or Age-Related Details:** No visible signature or specific age-related details are apparent from the image provided. The condition appears well-preserved, with no visible signs of aging or damage.
Preliminary Analysis: The artwork exemplifies a modern, minimalist style with a focus on simplified forms and bold shapes. The artistic technique highlights a flat application of color with minimal shading, emphasizing the figure’s contours and posture. **Medium and Materials:** The piece appears to be a painting, likely using acrylic or oil on canvas, given the smooth texture and vibrant hues. **Color Palette and Composition:** The color palette is soft and subdued, featuring pastel tones of lavender, beige, and muted green. The composition centers around a stylized human figure, creating a sense of calm and elegance. **Notable Features or Characteristics:** Noteworthy is the elongated form of the figure, which adds an element of grace and movement. The use of negative space enhances the figure’s prominence and the overall aesthetic simplicity. **Signatures or Age-Related Details:** No visible signature or specific age-related details are apparent from the image provided. The condition appears well-preserved, with no visible signs of aging or damage.
This hand-blown glass artwork is an original Dale Chihuly “Macchia” piece, renowned for its bold color use and innovative glassblowing techniques. The free-flowing form and wavy edges mimic natural forms, adding a dynamic, fluid aesthetic to its asymmetrical design. The interior showcases a complex interplay of bright reds, blues, and greens, framed by a signature thin, contrasting yellow rim. This vibrant color scheme creates depth and movement. The piece’s transparency and opacity shift with varying viewing angles, highlighting the glass’s reflective and refractive qualities and inviting exploration of its changing beauty. This collectible artwork demonstrates Chihuly’s mastery of transforming molten glass into sculptural works that blend technical expertise with creative expression. Drawing inspiration from nature and abstract forms, it exemplifies his pioneering work in glass sculpture, making it a captivating addition to any collection or exhibition.
This hand-blown glass artwork is an original Dale Chihuly “Macchia” piece, renowned for its bold color use and innovative glassblowing techniques. The free-flowing form and wavy edges mimic natural forms, adding a dynamic, fluid aesthetic to its asymmetrical design. The interior showcases a complex interplay of bright reds, blues, and greens, framed by a signature thin, contrasting yellow rim. This vibrant color scheme creates depth and movement. The piece’s transparency and opacity shift with varying viewing angles, highlighting the glass’s reflective and refractive qualities and inviting exploration of its changing beauty. This collectible artwork demonstrates Chihuly’s mastery of transforming molten glass into sculptural works that blend technical expertise with creative expression. Drawing inspiration from nature and abstract forms, it exemplifies his pioneering work in glass sculpture, making it a captivating addition to any collection or exhibition.
This reproduction print of Yayoi Kusama’s “Yellow Pumpkin” from 1982 presents a strikingly stylized, vibrant yellow pumpkin filled with dotted textures, contrasted against a bold black background with intricate leaf-like designs. The piece, rendered in the signature polka-dot and repetitive patterns of the renowned Japanese artist, is a lithograph and screenprint in colours on Velin Arches wove. Signed in pencil, it’s numbered from the edition of 70, highlighting its limited-edition status. The red triangular border at the top adds a sharp visual frame, emphasizing the organic yet surreal quality of the central subject, a symbol of Kusama’s connection to her rural childhood. Her themes of infinity, obsession, and nature are explored through these repetitive patterns and intense color contrasts. The meticulous detailing and the juxtaposition of geometric dots with organic forms highlight her mastery of blending the playful and the profound. Kusama’s pumpkin artworks like this piece are celebrated globally for their meditative quality and vibrant, visually captivating style. This print, while a reproduction, captures the essence of Kusama’s artistic legacy and holds aesthetic value.
This reproduction print of Yayoi Kusama’s “Yellow Pumpkin” from 1982 presents a strikingly stylized, vibrant yellow pumpkin filled with dotted textures, contrasted against a bold black background with intricate leaf-like designs. The piece, rendered in the signature polka-dot and repetitive patterns of the renowned Japanese artist, is a lithograph and screenprint in colours on Velin Arches wove. Signed in pencil, it’s numbered from the edition of 70, highlighting its limited-edition status. The red triangular border at the top adds a sharp visual frame, emphasizing the organic yet surreal quality of the central subject, a symbol of Kusama’s connection to her rural childhood. Her themes of infinity, obsession, and nature are explored through these repetitive patterns and intense color contrasts. The meticulous detailing and the juxtaposition of geometric dots with organic forms highlight her mastery of blending the playful and the profound. Kusama’s pumpkin artworks like this piece are celebrated globally for their meditative quality and vibrant, visually captivating style. This print, while a reproduction, captures the essence of Kusama’s artistic legacy and holds aesthetic value.

Appraisals This appraisal report provides a comprehensive and impartial evaluation of your artwork, leveraging the appraiser’s extensive expertise… Read More »This reproduction print of Yayoi Kusama’s “Yellow Pumpkin” from 1982 presents a strikingly stylized, vibrant yellow pumpkin filled with dotted textures, contrasted against a bold black background with intricate leaf-like designs. The piece, rendered in the signature polka-dot and repetitive patterns of the renowned Japanese artist, is a lithograph and screenprint in colours on Velin Arches wove. Signed in pencil, it’s numbered from the edition of 70, highlighting its limited-edition status.

The red triangular border at the top adds a sharp visual frame, emphasizing the organic yet surreal quality of the central subject, a symbol of Kusama’s connection to her rural childhood. Her themes of infinity, obsession, and nature are explored through these repetitive patterns and intense color contrasts. The meticulous detailing and the juxtaposition of geometric dots with organic forms highlight her mastery of blending the playful and the profound. Kusama’s pumpkin artworks like this piece are celebrated globally for their meditative quality and vibrant, visually captivating style. This print, while a reproduction, captures the essence of Kusama’s artistic legacy and holds aesthetic value.

This artwork, a limited-edition print dated 1982, presents a strikingly stylized pumpkin, a recurring motif in Yayoi Kusama’s work. The renowned Japanese artist’s signature polka-dot and repetitive patterns fill the vibrant yellow pumpkin, set against a bold black background adorned with intricate leaf-like designs. A sharp red triangular border at the top frames the piece, emphasizing the surreal quality of the organic central subject. Kusama’s exploration of themes such as infinity, obsession, and nature are evident in her meticulous detailing and the contrast between geometric dots and organic forms. The pumpkin, a symbol of her rural childhood and unique interpretation of nature, is presented with a blend of playfulness and profundity. This visually captivating print stands as part of Kusama’s globally celebrated legacy, holding significant aesthetic and collectible value.
This artwork, a limited-edition print dated 1982, presents a strikingly stylized pumpkin, a recurring motif in Yayoi Kusama’s work. The renowned Japanese artist’s signature polka-dot and repetitive patterns fill the vibrant yellow pumpkin, set against a bold black background adorned with intricate leaf-like designs. A sharp red triangular border at the top frames the piece, emphasizing the surreal quality of the organic central subject. Kusama’s exploration of themes such as infinity, obsession, and nature are evident in her meticulous detailing and the contrast between geometric dots and organic forms. The pumpkin, a symbol of her rural childhood and unique interpretation of nature, is presented with a blend of playfulness and profundity. This visually captivating print stands as part of Kusama’s globally celebrated legacy, holding significant aesthetic and collectible value.

Download Appraisal in PDF Appraisals This appraisal report provides a comprehensive and impartial evaluation of your artwork, leveraging… Read More »This artwork, a limited-edition print dated 1982, presents a strikingly stylized pumpkin, a recurring motif in Yayoi Kusama’s work. The renowned Japanese artist’s signature polka-dot and repetitive patterns fill the vibrant yellow pumpkin, set against a bold black background adorned with intricate leaf-like designs. A sharp red triangular border at the top frames the piece, emphasizing the surreal quality of the organic central subject. Kusama’s exploration of themes such as infinity, obsession, and nature are evident in her meticulous detailing and the contrast between geometric dots and organic forms. The pumpkin, a symbol of her rural childhood and unique interpretation of nature, is presented with a blend of playfulness and profundity. This visually captivating print stands as part of Kusama’s globally celebrated legacy, holding significant aesthetic and collectible value.

“Artist Con van Velsen’s 1995 oil painting on panel, measuring 19 x 30 cm (37 x 48 cm with the frame), intricately depicts a serene winter landscape. The tiny text signature and date are subtly placed near a lone, detailed tree in the foreground. The rest of the painting gives way to a quaint village and a church nestled in the snowy distance, all under a soft blue sky adorned with warm pink clouds. The detailed frame enhances the tranquil charm of the piece, making it a captivating representation of a wintry scene.”
“Artist Con van Velsen’s 1995 oil painting on panel, measuring 19 x 30 cm (37 x 48 cm with the frame), intricately depicts a serene winter landscape. The tiny text signature and date are subtly placed near a lone, detailed tree in the foreground. The rest of the painting gives way to a quaint village and a church nestled in the snowy distance, all under a soft blue sky adorned with warm pink clouds. The detailed frame enhances the tranquil charm of the piece, making it a captivating representation of a wintry scene.”

Download Appraisal in PDF Appraisals This appraisal report provides a comprehensive and impartial evaluation of your artwork, leveraging… Read More »“Artist Con van Velsen’s 1995 oil painting on panel, measuring 19 x 30 cm (37 x 48 cm with the frame), intricately depicts a serene winter landscape. The tiny text signature and date are subtly placed near a lone, detailed tree in the foreground. The rest of the painting gives way to a quaint village and a church nestled in the snowy distance, all under a soft blue sky adorned with warm pink clouds. The detailed frame enhances the tranquil charm of the piece, making it a captivating representation of a wintry scene.”

This fine quality landscape scene by Dutch realist painter, Hans Deuss (born Amsterdam, 1948) presents a surreal landscape with lush trees atop rocky terrain, adorned with draped fabric banners. Graduated from the Gerrit Rietveld Academie in Amsterdam, Deuss blends realism with fantasy in his painting. The misty background and distant rock formations create a dreamlike atmosphere, enhanced by the intricate frame. The artwork, made with oil paint on panel, measures 16 x 48 cm without the frame, and 27 x 68 cm including the frame. It is signed and dated 1998.
This fine quality landscape scene by Dutch realist painter, Hans Deuss (born Amsterdam, 1948) presents a surreal landscape with lush trees atop rocky terrain, adorned with draped fabric banners. Graduated from the Gerrit Rietveld Academie in Amsterdam, Deuss blends realism with fantasy in his painting. The misty background and distant rock formations create a dreamlike atmosphere, enhanced by the intricate frame. The artwork, made with oil paint on panel, measures 16 x 48 cm without the frame, and 27 x 68 cm including the frame. It is signed and dated 1998.

Download Appraisal in PDF Appraisals This appraisal report provides a comprehensive and impartial evaluation of your artwork, leveraging… Read More »This fine quality landscape scene by Dutch realist painter, Hans Deuss (born Amsterdam, 1948) presents a surreal landscape with lush trees atop rocky terrain, adorned with draped fabric banners. Graduated from the Gerrit Rietveld Academie in Amsterdam, Deuss blends realism with fantasy in his painting. The misty background and distant rock formations create a dreamlike atmosphere, enhanced by the intricate frame. The artwork, made with oil paint on panel, measures 16 x 48 cm without the frame, and 27 x 68 cm including the frame. It is signed and dated 1998.

The circa 1900s wall mirror features a wooden frame with a rich, dark finish, reflecting the craftsmanship of the period. Its simple yet elegant design adds a vintage charm, enhancing the room’s eclectic décor. The mirror likely served as a decorative and functional piece in early 20th-century homes.
The circa 1900s wall mirror features a wooden frame with a rich, dark finish, reflecting the craftsmanship of the period. Its simple yet elegant design adds a vintage charm, enhancing the room’s eclectic décor. The mirror likely served as a decorative and functional piece in early 20th-century homes.

This report is designed to provide a professional appraisal of the specific item requested. It contains a detailed… Read More »The circa 1900s wall mirror features a wooden frame with a rich, dark finish, reflecting the craftsmanship of the period. Its simple yet elegant design adds a vintage charm, enhancing the room’s eclectic décor. The mirror likely served as a decorative and functional piece in early 20th-century homes.

This is an early 20th-century military naval coat from the U.S. Military Academy in Cornwall-on-Hudson, NY. It features a double row of gold buttons down the front and gold braid detailing on the sleeves, indicating its formal use. The dark navy fabric and high collar reflect a traditional military style, and the coat is approximately a size small. The tailcoat design at the back suggests it was part of a dress uniform.
This is an early 20th-century military naval coat from the U.S. Military Academy in Cornwall-on-Hudson, NY. It features a double row of gold buttons down the front and gold braid detailing on the sleeves, indicating its formal use. The dark navy fabric and high collar reflect a traditional military style, and the coat is approximately a size small. The tailcoat design at the back suggests it was part of a dress uniform.

This report is designed to provide a professional appraisal of the specific item requested. It contains a detailed… Read More »This is an early 20th-century military naval coat from the U.S. Military Academy in Cornwall-on-Hudson, NY. It features a double row of gold buttons down the front and gold braid detailing on the sleeves, indicating its formal use. The dark navy fabric and high collar reflect a traditional military style, and the coat is approximately a size small. The tailcoat design at the back suggests it was part of a dress uniform.

The artwork is a reproduction from the mid-20th century of Rembrandt Harmenszoon van Rijn’s portrait style, depicting a bearded man wearing a black beret. The painting captures the characteristic depth and emotion of Rembrandt’s portraits, with a focus on the texture of the beard and the introspective gaze of the subject. The use of chiaroscuro—a technique that plays with light and shadow—is evident, highlighting the facial features and the thoughtful expression. The golden oval frame enhances the classical and venerable aura of the piece.
The artwork is a reproduction from the mid-20th century of Rembrandt Harmenszoon van Rijn’s portrait style, depicting a bearded man wearing a black beret. The painting captures the characteristic depth and emotion of Rembrandt’s portraits, with a focus on the texture of the beard and the introspective gaze of the subject. The use of chiaroscuro—a technique that plays with light and shadow—is evident, highlighting the facial features and the thoughtful expression. The golden oval frame enhances the classical and venerable aura of the piece.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »The artwork is a reproduction from the mid-20th century of Rembrandt Harmenszoon van Rijn’s portrait style, depicting a bearded man wearing a black beret. The painting captures the characteristic depth and emotion of Rembrandt’s portraits, with a focus on the texture of the beard and the introspective gaze of the subject. The use of chiaroscuro—a technique that plays with light and shadow—is evident, highlighting the facial features and the thoughtful expression. The golden oval frame enhances the classical and venerable aura of the piece.

A painting, reminiscent of Amedeo Modigliani’s style, was a wedding gift from your father in 1979. Signed “Modigliani” but lacking a Certificate of Authenticity (COA) Attributed to Modigliani, known for his modernist techniques. It features a simplistic yet profound portrayal of a caryatid—a sculptural figure serving as an architectural support. This piece showcases Modigliani’s signature elongated facial structure, a subdued palette dominated by earth tones, and minimalistic contours that evoke a serene yet haunting presence. The deliberate strokes and the abstract simplification of forms reflect Modigliani’s focus on the internal character rather than the external realism of the figure.
A painting, reminiscent of Amedeo Modigliani’s style, was a wedding gift from your father in 1979. Signed “Modigliani” but lacking a Certificate of Authenticity (COA) Attributed to Modigliani, known for his modernist techniques. It features a simplistic yet profound portrayal of a caryatid—a sculptural figure serving as an architectural support. This piece showcases Modigliani’s signature elongated facial structure, a subdued palette dominated by earth tones, and minimalistic contours that evoke a serene yet haunting presence. The deliberate strokes and the abstract simplification of forms reflect Modigliani’s focus on the internal character rather than the external realism of the figure.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »A painting, reminiscent of Amedeo Modigliani’s style, was a wedding gift from your father in 1979. Signed “Modigliani” but lacking a Certificate of Authenticity (COA) Attributed to Modigliani, known for his modernist techniques. It features a simplistic yet profound portrayal of a caryatid—a sculptural figure serving as an architectural support. This piece showcases Modigliani’s signature elongated facial structure, a subdued palette dominated by earth tones, and minimalistic contours that evoke a serene yet haunting presence. The deliberate strokes and the abstract simplification of forms reflect Modigliani’s focus on the internal character rather than the external realism of the figure.

A pair of antique porcelain lamps decorated with floral motifs, predominantly featuring soft pastel roses. The design includes elegantly sculpted golden bases that complement the delicate flower patterns painted on the vases. These lamps are identified as products of Erdmann Schlegelmilch, with the maker’s mark suggesting a production date between 1902 and 1910. This period is consistent with the art nouveau influence evident in the flowing, naturalistic designs and the ornate craftsmanship. Such pieces are valued both for their aesthetic appeal and their historical significance as part of early 20th-century European decorative art. This specific mark, “Prov Sxe E.S. Germany,” is commonly associated with Erdmann Schlegelmilch and indicates that the piece was manufactured in Suhl, Germany. The “M” in red could be a decorator’s mark, which was often used to identify individual artists or specific paint color applications within the factory.

This report is designed to provide a professional appraisal of the specific item requested. It contains a detailed… Read More »A pair of antique porcelain lamps decorated with floral motifs, predominantly featuring soft pastel roses. The design includes elegantly sculpted golden bases that complement the delicate flower patterns painted on the vases. These lamps are identified as products of Erdmann Schlegelmilch, with the maker’s mark suggesting a production date between 1902 and 1910. This period is consistent with the art nouveau influence evident in the flowing, naturalistic designs and the ornate craftsmanship. Such pieces are valued both for their aesthetic appeal and their historical significance as part of early 20th-century European decorative art. This specific mark, “Prov Sxe E.S. Germany,” is commonly associated with Erdmann Schlegelmilch and indicates that the piece was manufactured in Suhl, Germany. The “M” in red could be a decorator’s mark, which was often used to identify individual artists or specific paint color applications within the factory.

A collection of piano music scores by various renowned composers, organized in neatly bound volumes. Each volume is dedicated to one or multiple composers, indicating a broad and diverse repertoire that includes works by Rachmaninoff, Paderewski, Sibelius, Grainger, Mendelssohn, Ravel, Scriabin, Stravinsky, Debussy, Beethoven, Schubert, Rubinstein, Bach, and others. The collection likely represents a range of musical periods and styles, from Baroque to 20th-century compositions. The highlighted score from Felix Mendelssohn-Bartholdy, titled “Songs Without Words (Lieder ohne Worte),” is specified as having been carefully and conservatively revised, with availability in both book and sheet form. The distributor, The B.F. Wood Music Company, based in Boston and London, suggests an international scope for this collection.

This report is designed to provide a professional appraisal of the specific item requested. It contains a detailed… Read More »A collection of piano music scores by various renowned composers, organized in neatly bound volumes. Each volume is dedicated to one or multiple composers, indicating a broad and diverse repertoire that includes works by Rachmaninoff, Paderewski, Sibelius, Grainger, Mendelssohn, Ravel, Scriabin, Stravinsky, Debussy, Beethoven, Schubert, Rubinstein, Bach, and others. The collection likely represents a range of musical periods and styles, from Baroque to 20th-century compositions. The highlighted score from Felix Mendelssohn-Bartholdy, titled “Songs Without Words (Lieder ohne Worte),” is specified as having been carefully and conservatively revised, with availability in both book and sheet form. The distributor, The B.F. Wood Music Company, based in Boston and London, suggests an international scope for this collection.

A screenprint by Itzchak Tarkay, an influential Israeli artist known for his vibrant use of color and depiction of leisurely scenes. The artwork, titled as an “Artist’s Proof” (AP), is a part of a limited series used by the artist for personal review or exhibitions. It features three elegantly dressed women engaged in conversation at a café, a recurring theme in Tarkay’s work that showcases his interest in social interactions and the subtle dynamics within these moments. The rich, bold colors and stylized figures reflect Tarkay’s signature blend of modern and expressive qualities, making his pieces distinctive and sought-after in the art world.
A screenprint by Itzchak Tarkay, an influential Israeli artist known for his vibrant use of color and depiction of leisurely scenes. The artwork, titled as an “Artist’s Proof” (AP), is a part of a limited series used by the artist for personal review or exhibitions. It features three elegantly dressed women engaged in conversation at a café, a recurring theme in Tarkay’s work that showcases his interest in social interactions and the subtle dynamics within these moments. The rich, bold colors and stylized figures reflect Tarkay’s signature blend of modern and expressive qualities, making his pieces distinctive and sought-after in the art world.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »A screenprint by Itzchak Tarkay, an influential Israeli artist known for his vibrant use of color and depiction of leisurely scenes. The artwork, titled as an “Artist’s Proof” (AP), is a part of a limited series used by the artist for personal review or exhibitions. It features three elegantly dressed women engaged in conversation at a café, a recurring theme in Tarkay’s work that showcases his interest in social interactions and the subtle dynamics within these moments. The rich, bold colors and stylized figures reflect Tarkay’s signature blend of modern and expressive qualities, making his pieces distinctive and sought-after in the art world.

This is an artist proof by Itzchak Tarkay titled “Lady By The Seaside.” It features a vividly colored depiction of a lady sitting by a seaside café, a common theme in Tarkay’s work, where the influence of both Post-Impressionism and Art Nouveau is evident. The composition highlights a relaxed yet elegant figure adorned in period attire, enjoying the view of blue waters and moored boats. The vibrant color palette and decorative elements such as the patterned tablecloth and the serene backdrop enhance the atmospheric quality of the scene. The piece is both signed and numbered as an artist proof, indicating it’s part of a select group of prints made for the artist’s own inspection before the final edition is run, often making it more valuable.
This is an artist proof by Itzchak Tarkay titled “Lady By The Seaside.” It features a vividly colored depiction of a lady sitting by a seaside café, a common theme in Tarkay’s work, where the influence of both Post-Impressionism and Art Nouveau is evident. The composition highlights a relaxed yet elegant figure adorned in period attire, enjoying the view of blue waters and moored boats. The vibrant color palette and decorative elements such as the patterned tablecloth and the serene backdrop enhance the atmospheric quality of the scene. The piece is both signed and numbered as an artist proof, indicating it’s part of a select group of prints made for the artist’s own inspection before the final edition is run, often making it more valuable.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »This is an artist proof by Itzchak Tarkay titled “Lady By The Seaside.” It features a vividly colored depiction of a lady sitting by a seaside café, a common theme in Tarkay’s work, where the influence of both Post-Impressionism and Art Nouveau is evident. The composition highlights a relaxed yet elegant figure adorned in period attire, enjoying the view of blue waters and moored boats. The vibrant color palette and decorative elements such as the patterned tablecloth and the serene backdrop enhance the atmospheric quality of the scene. The piece is both signed and numbered as an artist proof, indicating it’s part of a select group of prints made for the artist’s own inspection before the final edition is run, often making it more valuable.

This piece is a color seriolithograph by Itzchak Tarkay titled “Two by Two,” created in 2000. It depicts a stylized scene of four women seated at a table in a café-like setting, characterized by vibrant, bold colors and fluid, decorative lines that are signature to Tarkay’s style. The artwork showcases a harmonious blend of rich reds, deep blues, and earthy greens, accentuating the elegant and relaxed demeanor of the figures. The piece is noted for its facsimile signature of Tarkay, indicating a reproduction of the original signature rather than an individually hand-signed piece. This seriolithograph captures the essence of Tarkay’s artistic expression in portraying the leisurely moments of everyday life.
This piece is a color seriolithograph by Itzchak Tarkay titled “Two by Two,” created in 2000. It depicts a stylized scene of four women seated at a table in a café-like setting, characterized by vibrant, bold colors and fluid, decorative lines that are signature to Tarkay’s style. The artwork showcases a harmonious blend of rich reds, deep blues, and earthy greens, accentuating the elegant and relaxed demeanor of the figures. The piece is noted for its facsimile signature of Tarkay, indicating a reproduction of the original signature rather than an individually hand-signed piece. This seriolithograph captures the essence of Tarkay’s artistic expression in portraying the leisurely moments of everyday life.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »This piece is a color seriolithograph by Itzchak Tarkay titled “Two by Two,” created in 2000. It depicts a stylized scene of four women seated at a table in a café-like setting, characterized by vibrant, bold colors and fluid, decorative lines that are signature to Tarkay’s style. The artwork showcases a harmonious blend of rich reds, deep blues, and earthy greens, accentuating the elegant and relaxed demeanor of the figures. The piece is noted for its facsimile signature of Tarkay, indicating a reproduction of the original signature rather than an individually hand-signed piece. This seriolithograph captures the essence of Tarkay’s artistic expression in portraying the leisurely moments of everyday life.

This limited edition print, titled “Nest,” is by Alex Chitty and was created in 2008 using etching and aquatint techniques. Numbered 11 out of 20, the piece features an intricate depiction of a nest interwoven with geometric shapes and voids, highlighting Chitty’s meticulous attention to detail and mastery in printmaking. The use of monochrome enhances the texture and depth, focusing the viewer’s attention on the complexity of the nest’s structure. This artwork, encapsulated within a simple black frame, exemplifies Chitty’s unique approach to blending natural forms with abstract elements.
This limited edition print, titled “Nest,” is by Alex Chitty and was created in 2008 using etching and aquatint techniques. Numbered 11 out of 20, the piece features an intricate depiction of a nest interwoven with geometric shapes and voids, highlighting Chitty’s meticulous attention to detail and mastery in printmaking. The use of monochrome enhances the texture and depth, focusing the viewer’s attention on the complexity of the nest’s structure. This artwork, encapsulated within a simple black frame, exemplifies Chitty’s unique approach to blending natural forms with abstract elements.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »This limited edition print, titled “Nest,” is by Alex Chitty and was created in 2008 using etching and aquatint techniques. Numbered 11 out of 20, the piece features an intricate depiction of a nest interwoven with geometric shapes and voids, highlighting Chitty’s meticulous attention to detail and mastery in printmaking. The use of monochrome enhances the texture and depth, focusing the viewer’s attention on the complexity of the nest’s structure. This artwork, encapsulated within a simple black frame, exemplifies Chitty’s unique approach to blending natural forms with abstract elements.

Antonio DeVity (Italian, 1901-1993), oil on canvas depicts a vibrant and picturesque Venetian scene, masterfully painted by Antonio Devity. The artwork measures 48×24 inches, with the overall dimensions including the ornate frame being 55×31 inches. The painting features iconic Venetian architecture and gondolas gently moving along the calm waters, capturing the serene and historic ambiance of Venice. The detailed architectural elements and the reflection of the buildings in the water showcase Devity’s skill in rendering light and texture. The ornate frame complements the artwork, enhancing its classic and timeless appeal. This piece is a quintessential example of Devity’s work, celebrated for capturing the romantic essence of Italian cityscapes.
Antonio DeVity (Italian, 1901-1993), oil on canvas depicts a vibrant and picturesque Venetian scene, masterfully painted by Antonio Devity. The artwork measures 48×24 inches, with the overall dimensions including the ornate frame being 55×31 inches. The painting features iconic Venetian architecture and gondolas gently moving along the calm waters, capturing the serene and historic ambiance of Venice. The detailed architectural elements and the reflection of the buildings in the water showcase Devity’s skill in rendering light and texture. The ornate frame complements the artwork, enhancing its classic and timeless appeal. This piece is a quintessential example of Devity’s work, celebrated for capturing the romantic essence of Italian cityscapes.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »Antonio DeVity (Italian, 1901-1993), oil on canvas depicts a vibrant and picturesque Venetian scene, masterfully painted by Antonio Devity. The artwork measures 48×24 inches, with the overall dimensions including the ornate frame being 55×31 inches. The painting features iconic Venetian architecture and gondolas gently moving along the calm waters, capturing the serene and historic ambiance of Venice. The detailed architectural elements and the reflection of the buildings in the water showcase Devity’s skill in rendering light and texture. The ornate frame complements the artwork, enhancing its classic and timeless appeal. This piece is a quintessential example of Devity’s work, celebrated for capturing the romantic essence of Italian cityscapes.

This Victorian ornate shelf is a striking piece of 19th-century craftsmanship. It features a delicate and intricate design with scrollwork and floral motifs typical of the Victorian era. The shelf includes a mirrored backdrop that enhances its decorative appeal, adding depth and reflecting light beautifully. The structure comprises multiple tiers and a drawer, providing both aesthetic appeal and functional storage space. The wood appears to be well-preserved with a rich, warm tone, highlighting the detailed carvings and turned posts that support each section. This piece would be a charming addition to any room, reflecting the opulent style and intricate craftsmanship of the Victorian period. Art Nouveau Cherry Etagere Mirrored Shelf.
This Victorian ornate shelf is a striking piece of 19th-century craftsmanship. It features a delicate and intricate design with scrollwork and floral motifs typical of the Victorian era. The shelf includes a mirrored backdrop that enhances its decorative appeal, adding depth and reflecting light beautifully. The structure comprises multiple tiers and a drawer, providing both aesthetic appeal and functional storage space. The wood appears to be well-preserved with a rich, warm tone, highlighting the detailed carvings and turned posts that support each section. This piece would be a charming addition to any room, reflecting the opulent style and intricate craftsmanship of the Victorian period. Art Nouveau Cherry Etagere Mirrored Shelf.

This report is designed to provide a professional appraisal of the specific item requested. It contains a detailed… Read More »This Victorian ornate shelf is a striking piece of 19th-century craftsmanship. It features a delicate and intricate design with scrollwork and floral motifs typical of the Victorian era. The shelf includes a mirrored backdrop that enhances its decorative appeal, adding depth and reflecting light beautifully. The structure comprises multiple tiers and a drawer, providing both aesthetic appeal and functional storage space. The wood appears to be well-preserved with a rich, warm tone, highlighting the detailed carvings and turned posts that support each section. This piece would be a charming addition to any room, reflecting the opulent style and intricate craftsmanship of the Victorian period. Art Nouveau Cherry Etagere Mirrored Shelf.

This is a Bavarian percussion cavalry pistol from the German states, dating from around 1826 to 1842. Crafted from durable materials, it features a distinctive wooden handle with ornate metal work that displays the engineering and design aesthetics typical of that period. Such pieces were common among cavalry units for their reliability and ease of use on horseback. This particular model showcases a curved handle, a metal barrel, and intricate mechanical details, indicative of its historical and functional value.
This is a Bavarian percussion cavalry pistol from the German states, dating from around 1826 to 1842. Crafted from durable materials, it features a distinctive wooden handle with ornate metal work that displays the engineering and design aesthetics typical of that period. Such pieces were common among cavalry units for their reliability and ease of use on horseback. This particular model showcases a curved handle, a metal barrel, and intricate mechanical details, indicative of its historical and functional value.

This report is designed to provide a professional appraisal of the specific item requested. It contains a detailed… Read More »This is a Bavarian percussion cavalry pistol from the German states, dating from around 1826 to 1842. Crafted from durable materials, it features a distinctive wooden handle with ornate metal work that displays the engineering and design aesthetics typical of that period. Such pieces were common among cavalry units for their reliability and ease of use on horseback. This particular model showcases a curved handle, a metal barrel, and intricate mechanical details, indicative of its historical and functional value.

This serene landscape painting by A. Leroy, housed in a 14 1/2″ x 10 1/2″ frame, portrays a tranquil rural scene featuring a small stream and footbridge. The composition and style suggest a calm, reflective environment, possibly inspired by similar locales familiar to the artist. The painting’s condition is noted as very good, with no visible damage, and it is likely housed in its original frame, which matches another work by Leroy. Discovered in a Maine antique shop alongside another piece by the same artist, this work captures the timeless beauty of nature in a classical representation.
This serene landscape painting by A. Leroy, housed in a 14 1/2″ x 10 1/2″ frame, portrays a tranquil rural scene featuring a small stream and footbridge. The composition and style suggest a calm, reflective environment, possibly inspired by similar locales familiar to the artist. The painting’s condition is noted as very good, with no visible damage, and it is likely housed in its original frame, which matches another work by Leroy. Discovered in a Maine antique shop alongside another piece by the same artist, this work captures the timeless beauty of nature in a classical representation.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »This serene landscape painting by A. Leroy, housed in a 14 1/2″ x 10 1/2″ frame, portrays a tranquil rural scene featuring a small stream and footbridge. The composition and style suggest a calm, reflective environment, possibly inspired by similar locales familiar to the artist. The painting’s condition is noted as very good, with no visible damage, and it is likely housed in its original frame, which matches another work by Leroy. Discovered in a Maine antique shop alongside another piece by the same artist, this work captures the timeless beauty of nature in a classical representation.

The icon depicted is known as the “Mother of God with Three Hands,” a Byzantine depiction rich in symbolic meaning and intricate detail. The icon features the Virgin Mary cradling the Christ child, with both figures adorned in elaborately patterned and gilded garments. Notably, the Virgin Mary is represented with three hands, a motif associated with miraculous intercession and protection. The third hand, often shown in silver or gold, symbolizes the grace bestowed by the Virgin Mary upon the faithful. This particular icon includes an ornate halo and background, emphasizing its sacred and venerable status within Christian art. The text along the bottom may indicate the icon’s origins or dedication, suggesting its importance in religious devotion.
The icon depicted is known as the “Mother of God with Three Hands,” a Byzantine depiction rich in symbolic meaning and intricate detail. The icon features the Virgin Mary cradling the Christ child, with both figures adorned in elaborately patterned and gilded garments. Notably, the Virgin Mary is represented with three hands, a motif associated with miraculous intercession and protection. The third hand, often shown in silver or gold, symbolizes the grace bestowed by the Virgin Mary upon the faithful. This particular icon includes an ornate halo and background, emphasizing its sacred and venerable status within Christian art. The text along the bottom may indicate the icon’s origins or dedication, suggesting its importance in religious devotion.

This report is designed to provide a professional appraisal of the specific item requested. It contains a detailed… Read More »The icon depicted is known as the “Mother of God with Three Hands,” a Byzantine depiction rich in symbolic meaning and intricate detail. The icon features the Virgin Mary cradling the Christ child, with both figures adorned in elaborately patterned and gilded garments. Notably, the Virgin Mary is represented with three hands, a motif associated with miraculous intercession and protection. The third hand, often shown in silver or gold, symbolizes the grace bestowed by the Virgin Mary upon the faithful. This particular icon includes an ornate halo and background, emphasizing its sacred and venerable status within Christian art. The text along the bottom may indicate the icon’s origins or dedication, suggesting its importance in religious devotion.

The painting is an untitled work by Elsa Flores from 1987, rendered in oil on canvas. The piece is notable for its vibrant and emotive use of color, depicting a figure that appears to be enveloped in dynamic, almost chaotic brush strokes, suggesting movement and emotional intensity. The background is a turbulent mix of yellows, reds, and dark tones, which serve to highlight the central figure. This original work is the only known copy, emphasizing its uniqueness and potential value as a collector’s item. The presence of the figure, combined with the energetic application of paint, may suggest themes of struggle, transformation, or spirituality. Elsa Flores (American, b.1955)
The painting is an untitled work by Elsa Flores from 1987, rendered in oil on canvas. The piece is notable for its vibrant and emotive use of color, depicting a figure that appears to be enveloped in dynamic, almost chaotic brush strokes, suggesting movement and emotional intensity. The background is a turbulent mix of yellows, reds, and dark tones, which serve to highlight the central figure. This original work is the only known copy, emphasizing its uniqueness and potential value as a collector’s item. The presence of the figure, combined with the energetic application of paint, may suggest themes of struggle, transformation, or spirituality. Elsa Flores (American, b.1955)

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »The painting is an untitled work by Elsa Flores from 1987, rendered in oil on canvas. The piece is notable for its vibrant and emotive use of color, depicting a figure that appears to be enveloped in dynamic, almost chaotic brush strokes, suggesting movement and emotional intensity. The background is a turbulent mix of yellows, reds, and dark tones, which serve to highlight the central figure. This original work is the only known copy, emphasizing its uniqueness and potential value as a collector’s item. The presence of the figure, combined with the energetic application of paint, may suggest themes of struggle, transformation, or spirituality. Elsa Flores (American, b.1955)

A Vintage CorningWare cookware, renowned for its durable, glass-ceramic material that can withstand extreme temperature changes. This assortment includes designs such as the “Cornflower” pattern, which is iconic to the CorningWare brand, and the “Spice of Life” pattern which features a charming array of vegetables and phrases in French.
A Vintage CorningWare cookware, renowned for its durable, glass-ceramic material that can withstand extreme temperature changes. This assortment includes designs such as the “Cornflower” pattern, which is iconic to the CorningWare brand, and the “Spice of Life” pattern which features a charming array of vegetables and phrases in French.

This report is designed to provide a professional appraisal of the specific item requested. It contains a detailed… Read More »A Vintage CorningWare cookware, renowned for its durable, glass-ceramic material that can withstand extreme temperature changes. This assortment includes designs such as the “Cornflower” pattern, which is iconic to the CorningWare brand, and the “Spice of Life” pattern which features a charming array of vegetables and phrases in French.

A handwritten manuscript page describing the geographical and historical features of Warwickshire, dating from the period between 1750 and 1829. The text notes that Warwickshire, once known as “the forest of Arden,” contains extensive woodlands and is situated near the center of England. The manuscript details the county’s boundaries, neighboring counties like Leicestershire, Northamptonshire, and Gloucestershire, and includes measurements such as the length and breadth of the county in miles. The writing, characterized by its meticulous, flowing script, offers a detailed and historic insight into the region during that era.
A handwritten manuscript page describing the geographical and historical features of Warwickshire, dating from the period between 1750 and 1829. The text notes that Warwickshire, once known as “the forest of Arden,” contains extensive woodlands and is situated near the center of England. The manuscript details the county’s boundaries, neighboring counties like Leicestershire, Northamptonshire, and Gloucestershire, and includes measurements such as the length and breadth of the county in miles. The writing, characterized by its meticulous, flowing script, offers a detailed and historic insight into the region during that era.

This report is designed to provide a professional appraisal of the specific item requested. It contains a detailed… Read More »A handwritten manuscript page describing the geographical and historical features of Warwickshire, dating from the period between 1750 and 1829. The text notes that Warwickshire, once known as “the forest of Arden,” contains extensive woodlands and is situated near the center of England. The manuscript details the county’s boundaries, neighboring counties like Leicestershire, Northamptonshire, and Gloucestershire, and includes measurements such as the length and breadth of the county in miles. The writing, characterized by its meticulous, flowing script, offers a detailed and historic insight into the region during that era.

A Middle Eastern, Egyptian-style bookend crafted in the early 20th century, specifically from Czech origins. It showcases a seated Pharaoh figure, expertly detailed in composition bronze with a patina finish. The decoration includes traditional Egyptian figures and motifs, enhancing its cultural authenticity and visual appeal. This piece is both a functional bookend and a decorative artifact, reflecting the artistic influences of ancient Egyptian civilization. It was then converted to a lamp in circa late 20thC.
A Middle Eastern, Egyptian-style bookend crafted in the early 20th century, specifically from Czech origins. It showcases a seated Pharaoh figure, expertly detailed in composition bronze with a patina finish. The decoration includes traditional Egyptian figures and motifs, enhancing its cultural authenticity and visual appeal. This piece is both a functional bookend and a decorative artifact, reflecting the artistic influences of ancient Egyptian civilization. It was then converted to a lamp in circa late 20thC.

This report is designed to provide a professional appraisal of the specific item requested. It contains a detailed… Read More »A Middle Eastern, Egyptian-style bookend crafted in the early 20th century, specifically from Czech origins. It showcases a seated Pharaoh figure, expertly detailed in composition bronze with a patina finish. The decoration includes traditional Egyptian figures and motifs, enhancing its cultural authenticity and visual appeal. This piece is both a functional bookend and a decorative artifact, reflecting the artistic influences of ancient Egyptian civilization. It was then converted to a lamp in circa late 20thC.

The image depicts an oil painting titled “Harlequin With Dove,” signed as Picasso. The painting features a figure dressed in a colorful harlequin costume with blue accents and a dove resting on their arm. The background is vibrant red. Notably, this painting includes several certification stamps from prominent galleries and Picasso collections, suggesting authentication from these institutions. The signature, “Picasso,” is prominently displayed in the lower corner of the painting. After Picasso, posible artist T Sabat.
The image depicts an oil painting titled “Harlequin With Dove,” signed as Picasso. The painting features a figure dressed in a colorful harlequin costume with blue accents and a dove resting on their arm. The background is vibrant red. Notably, this painting includes several certification stamps from prominent galleries and Picasso collections, suggesting authentication from these institutions. The signature, “Picasso,” is prominently displayed in the lower corner of the painting. After Picasso, posible artist T Sabat.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »The image depicts an oil painting titled “Harlequin With Dove,” signed as Picasso. The painting features a figure dressed in a colorful harlequin costume with blue accents and a dove resting on their arm. The background is vibrant red. Notably, this painting includes several certification stamps from prominent galleries and Picasso collections, suggesting authentication from these institutions. The signature, “Picasso,” is prominently displayed in the lower corner of the painting. After Picasso, posible artist T Sabat.

The images depict sketches of hands in a dynamic style characteristic of Vincent van Gogh, evidenced by the expressive lines and realistic yet emotional rendering. The back of the artwork has stamps and markings from Galerie Simon in Paris, further indicating its historical and possibly valuable nature. The dimensions are noted as 25.5 x 17 cm, which is typical for studies and smaller sketches of this period. Attributted to Vincent van Gogh very similar to the artwork “Three hands, two holding a fork”. Black and White Sketch.
The images depict sketches of hands in a dynamic style characteristic of Vincent van Gogh, evidenced by the expressive lines and realistic yet emotional rendering. The back of the artwork has stamps and markings from Galerie Simon in Paris, further indicating its historical and possibly valuable nature. The dimensions are noted as 25.5 x 17 cm, which is typical for studies and smaller sketches of this period. Attributted to Vincent van Gogh very similar to the artwork “Three hands, two holding a fork”. Black and White Sketch.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »The images depict sketches of hands in a dynamic style characteristic of Vincent van Gogh, evidenced by the expressive lines and realistic yet emotional rendering. The back of the artwork has stamps and markings from Galerie Simon in Paris, further indicating its historical and possibly valuable nature. The dimensions are noted as 25.5 x 17 cm, which is typical for studies and smaller sketches of this period. Attributted to Vincent van Gogh very similar to the artwork “Three hands, two holding a fork”. Black and White Sketch.

The painting presents a surreal composition featuring a reclining woman enveloped in a vibrant red cloak against a mystic backdrop of ethereal landscapes and monumental structures. The imagery, marked by fluid yet haunting representations of reality, is signed “Magritte,” suggesting an influence by or attribution to René Magritte. The artwork’s dream-like quality, with precise yet enigmatic elements, is typical of Magritte’s exploration of the boundaries between reality and imagination, rendered on canvas with meticulous attention to the surreal juxtapositions and thematic ambiguity. 51 cm x 81 cm. René François Ghislain Magritte (Lessines, 21 de noviembre de 1898-Bruselas, 15 de agosto de 1967)
The painting presents a surreal composition featuring a reclining woman enveloped in a vibrant red cloak against a mystic backdrop of ethereal landscapes and monumental structures. The imagery, marked by fluid yet haunting representations of reality, is signed “Magritte,” suggesting an influence by or attribution to René Magritte. The artwork’s dream-like quality, with precise yet enigmatic elements, is typical of Magritte’s exploration of the boundaries between reality and imagination, rendered on canvas with meticulous attention to the surreal juxtapositions and thematic ambiguity. 51 cm x 81 cm. René François Ghislain Magritte (Lessines, 21 de noviembre de 1898-Bruselas, 15 de agosto de 1967)

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »The painting presents a surreal composition featuring a reclining woman enveloped in a vibrant red cloak against a mystic backdrop of ethereal landscapes and monumental structures. The imagery, marked by fluid yet haunting representations of reality, is signed “Magritte,” suggesting an influence by or attribution to René Magritte. The artwork’s dream-like quality, with precise yet enigmatic elements, is typical of Magritte’s exploration of the boundaries between reality and imagination, rendered on canvas with meticulous attention to the surreal juxtapositions and thematic ambiguity. 51 cm x 81 cm. René François Ghislain Magritte (Lessines, 21 de noviembre de 1898-Bruselas, 15 de agosto de 1967)

Attributed to Remedios Varo. Anglès, Girona, España, 1908 – Ciudad de México, México, 1963. This surreal artwork attributed to Remedios Varo depicts a mystical scene with a humanoid figure with insect wings standing in a boat. The figure wears a vibrant outfit against a backdrop of stars and mist, complemented by a surreal landscape. The painting is housed in a gold frame, enhancing its mystical and fantastical elements. The use of soft hues and meticulous detail aligns with Varo’s style, known for blending fantasy, symbolism, and intricate compositions. The back of the canvas bears a stamp, adding an element of authenticity to the work. 48×60 cm size.
Attributed to Remedios Varo. Anglès, Girona, España, 1908 – Ciudad de México, México, 1963. This surreal artwork attributed to Remedios Varo depicts a mystical scene with a humanoid figure with insect wings standing in a boat. The figure wears a vibrant outfit against a backdrop of stars and mist, complemented by a surreal landscape. The painting is housed in a gold frame, enhancing its mystical and fantastical elements. The use of soft hues and meticulous detail aligns with Varo’s style, known for blending fantasy, symbolism, and intricate compositions. The back of the canvas bears a stamp, adding an element of authenticity to the work. 48×60 cm size.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »Attributed to Remedios Varo. Anglès, Girona, España, 1908 – Ciudad de México, México, 1963. This surreal artwork attributed to Remedios Varo depicts a mystical scene with a humanoid figure with insect wings standing in a boat. The figure wears a vibrant outfit against a backdrop of stars and mist, complemented by a surreal landscape. The painting is housed in a gold frame, enhancing its mystical and fantastical elements. The use of soft hues and meticulous detail aligns with Varo’s style, known for blending fantasy, symbolism, and intricate compositions. The back of the canvas bears a stamp, adding an element of authenticity to the work. 48×60 cm size.

This evocative painting, attributed to Max Ernst, illustrates the artist’s distinctive surrealistic style. The composition features a reclining female figure draped in a red cloth, surrounded by enigmatic, fantastical creatures and landscapes. A bird-headed entity and dappled, dog-like figures flank the woman, set against a backdrop of eerie, sculptural rock formations reflected in a tranquil body of water. Ernst’s use of mythological motifs and dream-like scenes challenges the boundaries of reality, inviting viewers into a deeply imaginative and symbolic world. The size of the canvas, 79 cm by 58 cm, underscores the intimate yet impactful nature of this piece. Attributed to Max Ernst (2 April 1891 – 1 April 1976).
This evocative painting, attributed to Max Ernst, illustrates the artist’s distinctive surrealistic style. The composition features a reclining female figure draped in a red cloth, surrounded by enigmatic, fantastical creatures and landscapes. A bird-headed entity and dappled, dog-like figures flank the woman, set against a backdrop of eerie, sculptural rock formations reflected in a tranquil body of water. Ernst’s use of mythological motifs and dream-like scenes challenges the boundaries of reality, inviting viewers into a deeply imaginative and symbolic world. The size of the canvas, 79 cm by 58 cm, underscores the intimate yet impactful nature of this piece. Attributed to Max Ernst (2 April 1891 – 1 April 1976).

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »This evocative painting, attributed to Max Ernst, illustrates the artist’s distinctive surrealistic style. The composition features a reclining female figure draped in a red cloth, surrounded by enigmatic, fantastical creatures and landscapes. A bird-headed entity and dappled, dog-like figures flank the woman, set against a backdrop of eerie, sculptural rock formations reflected in a tranquil body of water. Ernst’s use of mythological motifs and dream-like scenes challenges the boundaries of reality, inviting viewers into a deeply imaginative and symbolic world. The size of the canvas, 79 cm by 58 cm, underscores the intimate yet impactful nature of this piece. Attributed to Max Ernst (2 April 1891 – 1 April 1976).

A captivating work attributed to Leonora Carrington, a notable surrealist artist known for her fantastical and intricate scenes. This artwork features a mystical night setting where an ethereal figure in a bird-like mask and a humanoid deer, robed in red, navigate a boat through a starlit body of water. Above them, a fish entwined around a levitating, green-faced monolith symbolizes the surreal and dream-like elements typical of Carrington’s style. The backdrop of shadowy mountains and radiant celestial bodies adds to the otherworldly atmosphere, embodying Carrington’s unique blend of mythological and symbolic imagery. Attributed to Leonora Carrington (1917–2011)
A captivating work attributed to Leonora Carrington, a notable surrealist artist known for her fantastical and intricate scenes. This artwork features a mystical night setting where an ethereal figure in a bird-like mask and a humanoid deer, robed in red, navigate a boat through a starlit body of water. Above them, a fish entwined around a levitating, green-faced monolith symbolizes the surreal and dream-like elements typical of Carrington’s style. The backdrop of shadowy mountains and radiant celestial bodies adds to the otherworldly atmosphere, embodying Carrington’s unique blend of mythological and symbolic imagery. Attributed to Leonora Carrington (1917–2011)

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »A captivating work attributed to Leonora Carrington, a notable surrealist artist known for her fantastical and intricate scenes. This artwork features a mystical night setting where an ethereal figure in a bird-like mask and a humanoid deer, robed in red, navigate a boat through a starlit body of water. Above them, a fish entwined around a levitating, green-faced monolith symbolizes the surreal and dream-like elements typical of Carrington’s style. The backdrop of shadowy mountains and radiant celestial bodies adds to the otherworldly atmosphere, embodying Carrington’s unique blend of mythological and symbolic imagery. Attributed to Leonora Carrington (1917–2011)

An exquisite glass lamp featuring a gold-plated base with intricate detailing. The lampshade is crafted from cut glass that beautifully diffuses light through its ornate patterns, enhancing the brilliance of its design. The lamp is adorned with crystal prisms hanging from a decorative metal frame, which adds a touch of elegance and a classic aesthetic. This piece likely dates back to the early to mid-20th century, typical of the lavish decor styles popular during that era. The combination of cut glass and gold plating suggests a blend of luxury and craftsmanship, making it a splendid example of period lighting.
An exquisite glass lamp featuring a gold-plated base with intricate detailing. The lampshade is crafted from cut glass that beautifully diffuses light through its ornate patterns, enhancing the brilliance of its design. The lamp is adorned with crystal prisms hanging from a decorative metal frame, which adds a touch of elegance and a classic aesthetic. This piece likely dates back to the early to mid-20th century, typical of the lavish decor styles popular during that era. The combination of cut glass and gold plating suggests a blend of luxury and craftsmanship, making it a splendid example of period lighting.

This report is designed to provide a professional appraisal of the specific item requested. It contains a detailed… Read More »An exquisite glass lamp featuring a gold-plated base with intricate detailing. The lampshade is crafted from cut glass that beautifully diffuses light through its ornate patterns, enhancing the brilliance of its design. The lamp is adorned with crystal prisms hanging from a decorative metal frame, which adds a touch of elegance and a classic aesthetic. This piece likely dates back to the early to mid-20th century, typical of the lavish decor styles popular during that era. The combination of cut glass and gold plating suggests a blend of luxury and craftsmanship, making it a splendid example of period lighting.

An Original Artwork Attributed to RAFAEL CORONEL, MEXICAN 1932-2019, Face portrait of male, circa late 20thC, verso in chalk. Medium encaustic, oil on board. It depicts a bust portrait of a male, dark tones.
An Original Artwork Attributed to RAFAEL CORONEL, MEXICAN 1932-2019, Face portrait of male, circa late 20thC, verso in chalk. Medium encaustic, oil on board. It depicts a bust portrait of a male, dark tones.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »An Original Artwork Attributed to RAFAEL CORONEL, MEXICAN 1932-2019, Face portrait of male, circa late 20thC, verso in chalk. Medium encaustic, oil on board. It depicts a bust portrait of a male, dark tones.

A reproduction, framed and unsigned, of the original artwork by Raffaello Sanzio Da Urbino – Raphael titled Self Portrait C 1499. Reproduction made circa early 20thC, in ink and watercolor. Unknown artist, colored.
A reproduction, framed and unsigned, of the original artwork by Raffaello Sanzio Da Urbino – Raphael titled Self Portrait C 1499. Reproduction made circa early 20thC, in ink and watercolor. Unknown artist, colored.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »A reproduction, framed and unsigned, of the original artwork by Raffaello Sanzio Da Urbino – Raphael titled Self Portrait C 1499. Reproduction made circa early 20thC, in ink and watercolor. Unknown artist, colored.

A reproduction tapestry from circa early 20thC based in the Tapestry Alexander and Diogenes, late 15th-early 16th century (wool and silk). The style is School Franco Flemish. Artist is unknown, and it is unsigned. When Alexander the Great Met Diogenes the Cynic.
A reproduction tapestry from circa early 20thC based in the Tapestry Alexander and Diogenes, late 15th-early 16th century (wool and silk). The style is School Franco Flemish. Artist is unknown, and it is unsigned. When Alexander the Great Met Diogenes the Cynic.

This report is designed to provide a professional appraisal of the specific item requested. It contains a detailed… Read More »A reproduction tapestry from circa early 20thC based in the Tapestry Alexander and Diogenes, late 15th-early 16th century (wool and silk). The style is School Franco Flemish. Artist is unknown, and it is unsigned. When Alexander the Great Met Diogenes the Cynic.

A vintage silver-plated flatware, marked with “EPNS” (Electroplated Nickel Silver) Rodo Silver which indicates they are made of nickel silver, also known as German silver, and coated with a thin layer of pure silver through electroplating. The hallmark Rodo signifies that they were manufactured by Rodo Silver, England, renowned for its cutlery and silverware production. The intricate patterns and design elements are characteristic of Rodo craftsmanship, popular for its quality and aesthetic appeal in silverware. These pieces typically belong to the early to mid-20th century.
A vintage silver-plated flatware, marked with “EPNS” (Electroplated Nickel Silver) Rodo Silver which indicates they are made of nickel silver, also known as German silver, and coated with a thin layer of pure silver through electroplating. The hallmark Rodo signifies that they were manufactured by Rodo Silver, England, renowned for its cutlery and silverware production. The intricate patterns and design elements are characteristic of Rodo craftsmanship, popular for its quality and aesthetic appeal in silverware. These pieces typically belong to the early to mid-20th century.

This report is designed to provide a professional appraisal of the specific item requested. It contains a detailed… Read More »A vintage silver-plated flatware, marked with “EPNS” (Electroplated Nickel Silver) Rodo Silver which indicates they are made of nickel silver, also known as German silver, and coated with a thin layer of pure silver through electroplating. The hallmark Rodo signifies that they were manufactured by Rodo Silver, England, renowned for its cutlery and silverware production. The intricate patterns and design elements are characteristic of Rodo craftsmanship, popular for its quality and aesthetic appeal in silverware. These pieces typically belong to the early to mid-20th century.

Attributed to Pieter van Loon (1801-1873) based in the painting by Emile Jean Horace Vernet, French (1789-1863) titled “Arab at Prayer”, oil on board circa 1836, a vivid scene in Egypt. Van Loon is known for his works across various European locations including Austria, Italy, and France, bringing a distinctive style to each piece. The artwork captures a camel and a seated figure in traditional attire against a desert backdrop, showcasing Van Loon’s attention to detail and color.
Attributed to Pieter van Loon (1801-1873) based in the painting by Emile Jean Horace Vernet, French (1789-1863) titled “Arab at Prayer”, oil on board circa 1836, a vivid scene in Egypt. Van Loon is known for his works across various European locations including Austria, Italy, and France, bringing a distinctive style to each piece. The artwork captures a camel and a seated figure in traditional attire against a desert backdrop, showcasing Van Loon’s attention to detail and color.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »Attributed to Pieter van Loon (1801-1873) based in the painting by Emile Jean Horace Vernet, French (1789-1863) titled “Arab at Prayer”, oil on board circa 1836, a vivid scene in Egypt. Van Loon is known for his works across various European locations including Austria, Italy, and France, bringing a distinctive style to each piece. The artwork captures a camel and a seated figure in traditional attire against a desert backdrop, showcasing Van Loon’s attention to detail and color.

A Fine Quality Dutch Interior Scene by Listed Artist Dutch School Gerardus De Groot (1878-1947) (he used pseudonyms, signed Groot) circa early 20thC. It depicts an interior scene of woman with children doing needle work, in pre impresionistic style, Dutch School. Fine Quality Painting Framed.
A Fine Quality Dutch Interior Scene by Listed Artist Dutch School Gerardus De Groot (1878-1947) (he used pseudonyms, signed Groot) circa early 20thC. It depicts an interior scene of woman with children doing needle work, in pre impresionistic style, Dutch School. Fine Quality Painting Framed.

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »A Fine Quality Dutch Interior Scene by Listed Artist Dutch School Gerardus De Groot (1878-1947) (he used pseudonyms, signed Groot) circa early 20thC. It depicts an interior scene of woman with children doing needle work, in pre impresionistic style, Dutch School. Fine Quality Painting Framed.

Elmer Forsberg’s painting depicts his daughter, Greta, at age 8, showcasing a tender yet somber domestic scene. The painting highlights Forsberg’s delicate handling of light and shadow, capturing a reflective moment in a home setting. Notably, the artwork shows signs of age, including paint loss, which adds a layer of historical texture to the piece. Elmer A Forsberg Michigan, Illinois / Finland
Elmer Forsberg’s painting depicts his daughter, Greta, at age 8, showcasing a tender yet somber domestic scene. The painting highlights Forsberg’s delicate handling of light and shadow, capturing a reflective moment in a home setting. Notably, the artwork shows signs of age, including paint loss, which adds a layer of historical texture to the piece. Elmer A Forsberg Michigan, Illinois / Finland

Effective Day of Valuation. Artwork Image Analysis Introduction to Image Analysis Visual Comparisons: Similar Artworks Identified by Google… Read More »Elmer Forsberg’s painting depicts his daughter, Greta, at age 8, showcasing a tender yet somber domestic scene. The painting highlights Forsberg’s delicate handling of light and shadow, capturing a reflective moment in a home setting. Notably, the artwork shows signs of age, including paint loss, which adds a layer of historical texture to the piece. Elmer A Forsberg Michigan, Illinois / Finland